Juliet Harrison | Red Hook, New York USAI call myself a "Darkroom Dinosaur". In an age of digital cameras, Photoshopped effects, inkjet and laser printers – I am a traditionalist. I work in film. Primarily 35mm. I photograph in black and white and hand-print each and every print. Working with the negative until the final piece says exactly what I had hoped it would. The equipment I use could have been used 30, 50, 70 years ago. I do this, in part, because I love the process of printing. The hands on work that goes into each one is so much a part of my creation process. Black and white reduces the artist and the viewer to the basic elements. It is a constraint that forces me as an artist to be acutely aware of every element in the image. Everything informs the whole. And, at the same time, it enhances the focus on shape, shadow, texture and light. A hand-printed Gelatin Silver Print absorbs and reflects light in ways that ink on paper cannot. The image is created on the paper with by the addition and subtraction of silver. That too gives a wider range of tone to the work. My work with horses has allowed me to concentrate on both the beauty of the horse form and my relationship to it. Working in the B&W silver print is part and parcel of that process of representing what I see and feel when with horses. I received my MFA in photography in 1991 Cranbrook Academy of Art Bloomfield Hills, MI SHOWS, PUBLICATIONS AND AWARDS 2 Person Show Terry Lindsay’s Equidae Gallery Over Hill and Dale EQUUS Photowork 08 16th Annual Fall American Photography Exhibition Contemporary Landscapes Columbia County Council on the Arts Annual Juried Show Western Photo Gallery Competition The Art of the Horse
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